Eventually, with the authorities closing in, he jettisons the dome to safety under the tenure of a now fully trained robot and destroys the freighter and himself. The use of then-contemporary hippy-ish Joan Baez songs in the original score dated it somewhat, which is where 65daysofstatic come in — their new score repositioning the film in a century where its toxic future lamented by Lowell, but shrugged off by his crewmates as they enjoy their lurid artificial protein dinner seems ever closer.
Musically, it is classic 65daysofstatic — a fitting blend of the organic and technological. Deliberate, coincidental or my own imagination working overtime?
It sounds exactly like 65daysofstatic soundtracking a science fiction film should sound. The audience tonight seems to be largely made up of fans. The iPod is a much better choice in that case. I just could not go away your website before suggesting that I actually enjoyed the standard information a person provide on your guests? Is going to be again continuously in order to check out new posts. Save my name, email, and website in this browser for the next time I comment. Friday, January 14, For me, this record feels like a massage for my ears.
David Kjellin. David Kjellin This record makes me just happy when I listen to it! Supporting 65daysofstatic even for just this record is worth it!
This record inspires me to keep making music and to enjoy the 65DoS creative sound. Max Mockett. Max Mockett So glad I caught one of the few vinyl copies they unearthed recently. A beautiful album and a fantastic concept.
Favorite track: The Scattered Disk. Neil Dickson. Tim Stone. Kyle Worthington. Adam Paulhus. David King. Cosmic Symbol. Peter Fry. Alexander Lynham. David Bjorne. Sachal K. Sydney Gann. David Marsh. Alexandre Lafaye. Radical Weavers. Never over used, the explosive finales are a treasure, simmering for just the right amount of time before bursting into a torrent of visceral sights and sounds.
The album is a suite of sorts, and the songs flow together seamlessly. Surprising, in that is an off the cuff, fan funded soundtrack. Yet the cohesive nature of the album is truly marvelous.
The way the band has implemented the near tired usage of keys is to be commended as well, being a pleasant additive, rather than a flimsy stab at profundity. The electronic elements here are far less sanguine and dance oriented, being used to compliment the already excellent post-rock foundation.
Their latest is an album that is undeniably pure 65daysofstatic; an exceptional outing that sees the band amalgamate everything from their past into one, beautifully presented package. While Silent Running may not be the most profound statements that the band has ever made, it is certainly one of the most amiable.
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